假如爱有天意

【坎幼之声】萧山区教育局致全区师生关于校园消防安全的一封信_我的网站

一 |     致全区师生关于校园          消防安全的一封信          全民消防·生命至上          尊敬的老师，亲爱的同学们：          防火安全无小事，时时处处需留心。

二 | 我们都知道，学校是承载思想、追逐理想、放飞梦想的美好家园。    

    Still frame from an AI-generated short video depicting the Chinese-style "heavenly court" created by creators Qiguang and Xueli Xianzong (screen names) Photo: Courtesy of QiguangWhat if one person and a computer could create something that wows the world?
Meet Qiguang, a 1991-born eyeglasses store owner whose AI-generated Chinese celestial realm racked up 5 million views overseas.
He is part of a rising movement in China: the "handcrafted economy," in which low-cost AI technologies and creativity are opening a new path to entrepreneurship.A white jade corridor stretches deep into a sea of clouds. The towering celestial palace rises above tiered upturned eaves, and red-crowned cranes glide between floating sanctuaries. 
Shared online by viewers without subtitles or dialogue, this AI-generated short video racked up more than 5 million views across overseas social platforms in less than four days, attracting audiences worldwide.
Many overseas viewers assumed the atmospheric visual sequence came from a professional film studio or seasoned 3D animation team. 
However, its creator, known online as Qiguang, leads a far more ordinary life. Born in Chengdu, Southwest China's Sichuan Province, in 1991, he now runs a physical optical shop. In his spare time between serving the customers, he taught himself AI image and video generation, painstakingly crafting the viral vision of a Chinese celestial realm.
Qiguang's overnight international fame is no isolated internet success story. It signals the spread of a new trend dubbed the "shoucuo" economy or handcraft economy. The term describes the process of bringing ideas to fruition by hand on a small scale with simple tools, relying mainly on individual skill or manual labor rather than dedicated industrial production lines.
On Chinese social media, the hashtag "Hand-Crafting Everything" has surpassed 100 million views. In app stores, solo developers are launching AI-powered tools that compete directly with products backed by tech giants. This movement, defined by low costs, high creative freedom and flexible, fragmented workflows, is reshaping the national imagination of entrepreneurship.
Two people, one vision of heaven
Few viewers of Qiguang's viral celestial video realized that behind its ethereal beauty stood not a studio of dozens, but just two people, and hundreds of discarded AI attempts.
Qiguang told the Global Times that he had long been fascinated by the grand, ethereal landscapes of Chinese mythology - the celestial palaces and floating realms described in ancient texts. Then he discovered the work of another creator, Xueli Xianzong (screen name), whose AI-generated visuals captured a distinct Eastern aesthetics and minimalist blank-space composition.
"I realized AI could break down the barriers for ordinary people," Qiguang said. "The images I'd held in my mind for so long could finally become visible."
Xueli Xianzong had arrived at a similar realization earlier. For years, he had wanted to visualize the celestial palaces of Chinese fantasy fiction, but traditional 3D modeling and live-action filming were prohibitively expensive for an individual. AI generation tools changed that. He began spending his free time learning text-to-image and image-to-video technologies, carving out a niche in the relatively obscure genre of Chinese fantasy visuals.
The two eventually became creative partners, though their collaboration is unusually loose.
"Mostly we create independently, then share our finished work for critique and inspiration. We absorb aesthetic ideas from each other's visuals and incorporate them into our own," Xueli Xianzong said. "This is how most creators in this space collaborate right now."
But if their creative partnership was remarkably uncomplicated, their struggle with AI itself was anything but straightforward. The process behind a video like "Chinese Heavenly Court" is far more painstaking than audiences have imagined. Qiguang broke it down: First, conceptualize the overall atmosphere and frame each shot's camera movement. Second, use an AI image generation tool to generate high-quality static images for each frame, endlessly tweaking prompts to control architectural details, color palettes, lighting and composition. Third, feed the selected images into AI video-generation models to add dynamic lens effects, like horizontal camera panning, drifting clouds, flowing sleeves. Fourth, sort through the output, discard distorted or broken footage, edit the clips together and finally choose music to match the mood.
"AI frequently produces garbled architecture, deformed figures or unnatural motion," Qiguang said. "You envision something perfect in your mind, but after dozens of generations, you still haven't transformed your vision into reality." 
After two years of self-learning, Qiguang regards his biggest breakthrough as escaping generic mass-produced ancient Chinese aesthetics. To him, the handcraft economy differs fundamentally from traditional entrepreneurship at its starting point. 
"You can begin with just one person and a single computer, turning ideas directly into content or products. Heavy upfront investment disappears, yet every tedious task, every round of trial and error falls solely on the creator," Qiguang said.
"The AI-assisted handcraft model removes many steep technical barriers. If you possess taste and imagination, you can experiment in your spare time," he noted with a beam of proud.
Guo Yi, a professor at the School of Journalism, Chongqing University, told the Global Times the handcraft economy can be more accurately described as "intelligent creation economy" or "geek creation economy": Human intellect directs computing power, and creativity guides automated tools. In many ways, the movement mirrors the global maker economy. 
"Yet generative AI brings transformative changes beyond merely lowering entry costs for creative industries. It is restructuring cost frameworks and production relationships across creative sectors," Guo said.
A fast-growing community  
    A visitor inquires about AI-powered entrepreneurship solutions at an industry fair hosted by local authorities in Guangzhou, South China's Guangdong Province on March 15, 2026. Photo: VCGIf Qiguang and Xueli Xianzong build dreamlike visuals in the creative clouds, 34-year-old Xu Ting "handcrafts" practical digital products grounded in real demand. 
Xu still vividly remembers, in January 2025, publishing a simple post on the social media platform Xiaohongshu: "I want to build an AI app that chats with elderly users and helps them compile life memoirs. Anyone want to join?"
Under conventional internet industry logic, the idea sounded unrealistic. Developing an app once required large teams and millions of capital. But AI rewrote these rules. 
Xu previously worked in the energy sector with no coding background. Using domestic large language models including DeepSeek, she assembled a working product prototype block by block. Without dedicated product managers or UI designers, she single-handedly completed market research and product design.
"In the past, many good creative concepts were abandoned simply because their costs were too high. Today, AI has driven down model token costs, making experimentation accessible to ordinary people and drawing growing numbers of newcomers into this space," Xu told the Global Times.
The day after her recruitment post went live, a flood of private messages confirmed genuine market demand.
Li Ning, a professor at Tsinghua University's School of Economics and Management, pointed out that traditional entrepreneurship demands heavy investment in research, staffing, supply chains and market testing, discouraging many innovators. 
"AI compresses these costs. Small teams working through independent handcrafted development can achieve outputs that once required hundreds of workers. This has also given more people the courage to start their own businesses." Li said.
Beyond gaps in costs, "handcrafted" teams follow different organizational and collaborative frameworks from established enterprises. Li told the Global Times that inside major companies, projects are pushed to deliver steady, foreseeable returns from conception through rollout. This type of environment creates barriers for disruptive ideas to flourish. Handcrafted teams, however, benefit from their lean size: They can shift direction quickly and iterate through constant trial and error. 
"This has also given more people the courage to start their own businesses," he said.
Xueli Xianzong identified four core distinctions between the handcrafted economy and traditional entrepreneurship: low barriers to entry; creativity as the core while tools remain carriers; flexible collaboration without formal incorporation or fixed teams; and low trial-and-error costs, allowing creators to explore niche verticals without financial ruin.
According to Alibaba Cloud, the cloud computing arm of China's internet giant Alibaba, as of November 2025, nearly 23,000 AI applications have been built within the innovation zone on its ModelScope open-source platform, and roughly 95 percent of them were developed by individual creators.
Data from the "2026 China One Person Company (OPC) Industry White Paper" and sector reports show more than 16 million registered OPCs across China, as of April 2026.
Navigating headwinds for the creators
Yet if AI has flattened the technical playing field, what truly determines success? For those riding the wave of the handcrafted economy, the AI era offers a double-edged promise: unprecedented freedom to turn ideas into reality, paired with formidable obstacles that test resilience at every turn.
For Qiguang, it is the ability to perceive beauty: innate aesthetic judgment and imagination. 
Xu argues that the most vital asset for new entrants is not capital, but sharp insight into unmet real-world needs. "AI excels at execution. Figuring out what to build is far harder than building it," Xu said. 
The true competitive edge lies in translating technical capability into tangible user value. "Identify genuine underserved demands and turn technological capacity into value for users. Technology determines whether you can build a product. Understanding users, patience for iterative refinement and long-term trust determine how far a micro-venture can travel," she noted. 
But even with the right instincts, the path from idea to market is anything but smooth. The explosive growth of handcrafted products brings steep challenges on that journey. 
Xueli Xianzong noted AI enables cheap copying and imitation, while individual creators face exorbitant legal costs to defend their works. When infringement costs remain far lower than enforcement costs, creative enthusiasm inevitably fades.
Beyond intellectual property, creators must escape overreliance on fleeting online traffic. Qiguang observed platform algorithms tend to prioritize snappy, conflict-driven short content, while slow, culturally rich expression struggles to gain traction. He refuses to churn out formulaic commercial drama series chasing view counts, choosing instead to deepen grand storytelling. 
"The handcrafted economy is no shortcut to quick wealth. It demands patience through periods of little reward," Qiguang said, noting that new participants need sufficient time and a willingness to endure repeated trial and error.
From an app development perspective, Xu highlighted another tension: balancing customized service and standardized workflows. If every project relies entirely on manual handcrafted labor, founders risk being trapped in high-intensity, low-profit self-employment. The sector needs mature workflows, delivery benchmarks and pricing frameworks. Tasks suitable for standardization can shift to AI, while human empathy and critical judgment stay central. Privacy and ethical safeguards also grow critical, especially for services handling personal memories and sensitive information.
Guo views inconsistent quality standards as typical growing pains, which market filtering mechanisms will gradually resolve. Delayed intellectual property frameworks and emerging governance challenges, however, require thoughtful ongoing policy attention, he said.
Authorities across China have begun rolling out supportive measures to address these obstacles. Over 20 cities have launched targeted policies for OPCs. The Beijing Economic-Technological Development Area offers streamlined business registration services for solo entrepreneurs, delivering business licenses in as little as 30 minutes. Qingdao in East China's Shandong Province rolled out a specialized platform for solo entrepreneurs, delivering end-to-end support for AI innovators from technical development to revenue generation.  
At the same time, a network of OPC communities has taken shape. As of May 2026, 426 such communities operate across 28 provincial-level regions and 65 cities. These hubs provide physical workspace alongside networking events, resource matching and mentorship, connecting previously isolated solo creators into a connected ecosystem.
    Still frame from an AI-generated short video depicting the Chinese-style "heavenly court" created by creators Qiguang and Xueli Xianzong (screen names) Photo: Courtesy of QiguangNow, Qiguang continues running his optical shop full-time, pursuing AI creation only as a side project with no immediate path to full-time work or large-scale earnings. Both Qiguan and Xueli Xianzong say they will consider full-time creative work only when industry conditions and monetization models mature further. Still, they view handcrafted creation merely as a starting point rather than a final destination, and remain optimistic that this grass-roots creative movement holds vast untapped potential ahead.
Huo Minhan contributed to this story
。然而，校园内人员密集，环境复杂，火灾的各种诱发因素较多。为有效消除火灾隐患、确保师生生命财产安全，萧山区消防救援大队为大家整理了一份校园消防安全知识，请您认真阅读学习。

三 |                              学校消防安全制度          为切实加强学校消防安全工作，确保师生员工的生命财产安全，各校应制定学校消防安全管理工作制度，并严格遵守执行。

四 |          1          定期开展消防知识宣传，并确保消防演习活动定期正常开展。加强全校师生的消防安全教育，提高师生员工自觉履行消防安全责任、爱护消防设施，做到人人都知道火灾报警电话 119，人人都了解熟知消防自护自救常识和逃生技能。         2          教室、办公室、学生宿舍等人员密集场所的安全出口、疏散通道保持畅通，安全疏散指示标志明显、应急照明完好。         3          学生聚集场所不得使用耐火等级较低的易燃材料装修。         4          易燃、易爆的危险化学实验用品做到按规定专门存放，双人双锁保管，严格执行领用制度。         5          配齐配足消防器材，设置的灭火器需一年检查一次灭火器的药效，过期失效的应及时更换。

五 |          6          人人爱护消防设施，任何人不得随意移动和损坏消防栓、消防带、灭火器材以及各种消防警示标志等，违者要严肃处理。         7          图书馆、化学实验室、物理实验室等场所严禁吸烟及使用明火。         8          学生宿舍内严禁使用明火，禁止使用电炉、热得快、蜡烛、蚊香等，严禁吸烟，私拉乱接电线，严禁私自接用任何家用电器。         9          学校食堂厨房使用燃气的，注意防漏气、防爆、防火，使用后要关好气阀，应安装燃气泄露报警器，并备有灭火毯、灭火器等消防器材。         10          加强对校内的用电线路、设备等安全检查，不得超负荷使用电器设备，不得私拉乱按。发现用电安全隐患，要及时进行整改、维护，确保用电设施的安全。                                       校园重点区域防火                    教室：不携带火种、易燃易爆物品进入校园；不在教室门口逗留、打闹，保证教室门口的通畅；教室无人时，电器、照明开关应关闭；发现教室中的设备出现异常，及时向老师报告；爱护学校的消防器材，比如走廊上的灭火器、疏散指示标志等，确保其完好有用。                             宿舍：在宿舍不得使用明火、不抽烟、不焚烧杂物；学生宿舍严禁使用热得快、取暖器等大功率电器；严禁私拉乱接电线、网线,台灯应远离纸张、书本、窗帘、床单等易燃物；离开宿舍时要切断所有电源，包括充电器、电脑等；严禁在宿舍存放易燃易爆物品。                             实验室：应该遵守实验室安全操作规范；要在老师的指导下使用实验室设备；使用仪器设备前应认真检查电源、管线、火源、辅助仪器设备等情况；按规定配置消防器材，掌握一定的消防自救知识；要控制实验室化学物品的储存量，不要存放大量易燃易爆危险化学品，实验时定量取用，消除堆积隐患，避免造成更大的危害。                             图书馆：图书管理员必须熟知必要的消防安全知识，能发现火险隐患，会报火警，会使用灭火器材，会组织学生疏散；严禁携带易燃易爆物品及火种入馆，馆内严禁使用电热器设备；消防疏散通道必须畅通，严禁在通道旁堆放任何物品；妥当保管消防设施，灭火器要存放于醒目位置；严禁在电器附近堆放可燃物品，随时清理废纸等可燃物品；严格执行安全用电制度，不准随便乱拉电线，严禁超负荷用电。下班前必须关好门窗并切断电源才能离开；寒暑假及法定节假日要作好安全防范工作，消除隐患，堵塞漏洞，防止事故发生。                                       如遇火灾如何逃生          1          如果是初期火灾阶段，火势不大，可以根据情况，用灭火器材扑灭火焰；如遇大火，保持镇静，不要跟从人流乱冲乱撞，若通道已被烟火封阻，应背向烟火方向离开，第一时间拨打 119 报警。         2          火灾发生时，不要顾及贵重物品，可以待在阳台、窗口等易于被人发现的地方，大声呼喊、敲击东西或是晃动鲜艳的衣物，发出求救信号。         3          火灾逃生时，用湿毛巾捂住口鼻，低姿弯腰逃生，迅速寻找安全通道离开。若无法从宿舍逃出，应关紧大门，用湿毛巾、湿布等塞住门缝，在室内等待求援。         4          发生火灾时，不可乘坐电梯，避免被困电梯内，增加施救难度。                                       文件来源：萧山区教育局          – END–          敏而灵韵 善成底蕴          智圆行方 允文允武                    排版编辑：倪红丹          一 审：马亚华          二 审：周萍萍          三 审：陈 琦。

Current article:http://www.jiaopeikongbenlo.pics/6lab/d2enr1.doc

Published on:06:46:05