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明日之子

Exclusive: "He Never Increased His Fee Even After Any Blockbuster" - Subhash Ghai on Dharmendra_我的网站

格林第一季

一 |       讯 8月20日,最高人民法院发布《关于修改〈最高人民法院关于审理著作权民事纠纷案件适用法律若干问题的解释〉的决定》(法释〔2026〕18号,以下简称《决定》)。

二 | 《决定》于2026年5月25日经最高人民法院审判委员会第1976次会议通过,自2026年9月1日起施行。  《决定》坚持严格保护知识产权,坚持依法解释和问题导向,针对著作权司法实践中的作品发表认定、合理使用的边界、报刊转载法定许可的范围等重点难点问题,进一步细化和完善法律适用标准,统一案件裁判尺度,增强司法解释的可操作性,为当事人提供明确诉讼指引,为市场提供明确行为预期,确保著作权法的正确实施。  一是进一步明确“公之于众”的认定标准。删去原司法解释第九条中“著作权人自行或者经著作权人许可”的限定,将“公之于众”明确为将作品向不特定的人公开,但不以公众知晓为构成要件。主要考虑是,目前知识产权理论界和司法实践均认可,作品因他人侵权行为而被公开也属于公之于众。

三 |   二是进一步细化合理使用的适用规则。将原司法解释第十八条规定的“室外公共场所的艺术作品”修改为“公共场所的艺术作品”,与2020年修正的著作权法第二十四条第一款第十项的规定保持一致。    Filmmaker Subhash Ghai remembered the legendary actor Dharmendra with deep affection and admiration. When the director went to the late actor with the script of Krodhi, he not only said yes to it but also came on board as a producer. Ghai reflected on their bond and shared personal memories that highlighted Dharmendra’s discipline, warmth and humility.          He told Filmfare, "I learnt from him that daily physical exercise and living with laughter are essential. During the shoot of Krodhi, he had a fever, but after seeing a tough scene ahead, he asked me to give him one hour. He started exercising on set and then shot till late evening."     Ghai also recalled how Dharmendra never hikes his fee even after delivering blockbusters. He continued, "I remember when I narrated the script of Krodhi to him for the first time at his house. He instantly said that not only would he act in it, but he would also produce it under his banner. I was speechless. He never went after money, only after a good role. He never increased his fee even after any blockbuster film. We knew him as a big child and respected him deeply."                                                                 View this post on Instagram          A post shared by SG (@subhashghai1)               Actor Dharmendra, also known as the He-Man of Bollywood, breathed his last in his Juhu residence. His last rites took place in the Pawan Hans crematorium yesterday. Several noted celebrities such as Amitabh Bachchan, Abhishek Bachchan, Shah Rukh Khan, Aamir Khan, Salman Khan, Akshay Kumar, Sanjay Dutt, Anil Kapoor, Deepika Padukone, Ranveer Singh and others came to pay their last tributes to his mortal remains.     Dharmendra is survived by his wife, actress Hema Malini, his first wife Prakash Kaur, and his children, including actors Sunny Deol and Bobby Deol, and daughters Esha Deol and Ahana Deol.           Also Read: Moushumi Chatterjee: Dharmendra had a childlike soul, his smile was divine - Exclusive。同时,增加但书规定,明确对公共场所艺术作品的临摹、绘画、摄影、录像人,可以对其成果依法以合理的方式和范围再行使用,但是未经著作权人许可不得以相同方式设置、陈列或者公开传播。

四 | 作出上述修改的主要考虑是,著作权法第二十四条第一款删除了“公开场所”的限定词“室外”,公开场所的范围扩大,涵盖了公共及商业性的美术馆、展览馆等,因此需要对“合理的使用方式和范围”进行限制,在保障合理使用空间的同时避免挫伤著作权人展览作品的积极性。  三是进一步明确报刊转载法定许可的适用范围。将原司法解释第十七条“报纸、期刊”的范围明确为“报纸、期刊主管部门批准出版的纸质报纸、期刊以及与其内容和版面格式相一致的数字化版本”,以适应网络和数字技术发展需要。同时增加一款,明确报纸、期刊与互联网信息服务提供者之间相互转载、互联网信息服务提供者之间相互转载已发表的作品,不适用前款规定,应当经过著作权人许可并支付报酬。作出上述修改的主要考虑是,当前报纸、期刊行业在经营模式上已经从传统纸质媒体扩展到网络数字媒体,将报纸、期刊版面以原格式通过信息网络传播可以视为纸质转载方式的合理延伸,被诉侵权人可以援引著作权法第三十五条第二款规定的法定许可进行抗辩。除了上述情形以外,以其他形式将报纸、期刊内容通过信息网络传播的,不适用报刊转载法定许可。版权申明:凡注有“”或电头为“”的稿件,均为独家版权所有,未经许可不得转载或镜像;授权转载必须注明来源为“”,并保留“”的电头。    。

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Published on:16:43:13


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